Furniture and product imagery that stays accurate — photographed, built in 3D, or generated with AI. One person across the whole pipeline.
Duvet, shams, pillows, bed skirt and drapery re-dressed in a new print. Folds, shadows and window light carried through. Walls, furniture and styling untouched.
Studio furniture, interiors, architecture, and material capture. Lit and shot so the product is correct before retouching starts.
3D sets, fabric-to-frame wraps and Scene7 configurator assets. Every fabric and finish in the catalog, without reshooting each one.
ComfyUI and Qwen pipelines for material swaps and scene variants. Masked so the textile changes and the frame, stitching and proportions stay exact.
Table tops shot or rendered from different camera heights never line up across a collection. Drop a SKU folder in, and every top comes out at the same angle, height and position — edges repaired against fixed PSD masks, locally, no AI service.
AEM Dynamic Media vignettes need a strict hierarchy of alpha channels before a single fabric can be swapped. This panel builds it inside Photoshop: select a part, save it, and every new mask automatically excludes everything masked before it — then export a PSD that's ready to author.
No overlaps, no gaps — which is what Dynamic Media needs to apply a fabric to the cushions without bleeding onto the frame.
A generative model repaints the cushions from a real, scaled fabric sheet. Then the workflow throws away everything the model touched outside the mask and composites the result back onto the original photograph. The textile changes. The frame does not.
Viz-It is an imaging studio in High Point, NC, founded in 2001 by Scott G. Davis. We produce catalog, eCommerce and configurator imagery for home furnishings — photography, retouching, Scene7 vignettes, 3D and AI-assisted production — and every file is checked against the real product before it ships.
Fabric-repeat and vignette production, catalog, eCommerce and lifestyle imagery for furniture, window, bath and wallcovering brands.
Remote and in studio. A single lead owns the pipeline and the quality bar, with vetted freelance specialists brought in for volume — all working to written masks, checks and handoff specs.
Twenty-five years of catalog and configurator imaging, and a hand in one of the first fabric-to-frame Photoshop plug-ins for online product configurators.
Motorsports — shot for the practice of timing, light and composition.
Tell me what you need. I’ll be glad to help.
Freelance, Contract or Retainer.
